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3cP SET + POST (NEW Version 5.0)!
In addition to supporting many cinema cameras, 3cP SET + POST will now offer support for Arri Alexa, RED EPIC & RED MX media as well as full motion preview of color corrected footage. Working from the native files this compelling new update will not only allow for data management and color correction, but an overall workflow solution as well.
DP of recently finished TV series "Tudors IV" (Showtime) Ousama Rawi B.S.C., C.S.C. used 3cP with Panavision's Genesis and he said: "Using 3cP led to dailies with no misunderstandings. Every scene was transferred accurately. Later, when the final timing sessions were embarked upon it actually took less time to complete than was scheduled.. That is remarkable."
Theo Van de Sande, ASC is using 3cP on Sony Pictures
"Just Go With It" shooting on the F35. (DIT Raul Riveros)
Technical Highlights of 3cP
NEW! 3cP SET + POST V. 5 Features:
• Supports the Tangent Wave Panel Color Board:
-- Use Printer Lights, Video RGB on the Wave Panel
• Supports the RED EPIC and new color science:
-- New FLUT, Shadow, and Tint controls
-- Support for REDLog film, REDcolor and REDgamma
-- Back up and verify Epic media
-- Apply custom profiles and generated color corrected footage
• Supports the Arri Alexa:
-- Back up and verify Alexa media
-- Sync audio and generate color corrected footage
-- Apply custom C-Log to rec709 profiles
• New support for Multiple HDlink Pro Boxes for live color
• New support for generating DaVinci Resolve LUTs
• Improved video capture file handling
• New still-frame video capture option
• Improved batch apply looks utility
Current 3cP Features:
• All in one data management solution for any file based camera
• Support for the RED Rocket
• Support for the Academy/ASC LUT and CinemaDNG image data format.
• Full support for motion clips in addition to still images.
• Lighting previsualization for cinematographers
• Support for DPX, Cineon, and TIFF image sequences.
• Direct support of most file based native footage (RED, Arri, P2, Canon)
• Realtime playback of motion footage.
• Dailies generation with optional burned-in timecode and smart slates.
• Background processing of media backups and footage rendering.
• Print-to-video feature with output of linear timecode (LTC).
• Syncing of audio tracks to footage for dailies rendering.
• Backup of media files to up to three backup locations, with byte-by-byte verification.
• ALE (Avid Log Exchange) file generation for rendered output files. In addition, 3cP continues to offer a robust set of tools for color correction, 3D LUT generation, ASC CDL support, monitor calibration, and communication with post production.
Additionally, 3cP.4 can now produce dailies on the set in ProRes and Avid formats, as well as Apple iPhone formats. 3cP.4 can even sync production audio BWF files with footage for inclusion in the dailies it generates.
3cP.4 works with data from any file-based camera, including the new RED MX Sensor and Canon DSLRs and—with additional codec software—Vision Research Phantom high-speed .cine files and Arri D-21 RAW files, and P2 compatible. 3cP also supports footage from Panasonic, Sony, Panavision, Viper and Silicon Imaging digital cameras.
3cP works with film, digital intermediate (DI), video (NTSC/PAL) and HD productions. The system is completely non-destructive and works entirely rec709 enviroment. By using our proprietary calibration methods any user can utilize the tools needed for a consistent workflow.
Click here to request a full 3cP Manual
Click here to download the 3cP Demo
Color corrections and metadata can easily electronically transmitted from the set to the telecine or DI suite via an Internet connection or DVD, CD, USB. Footage can be color corrected and generated in a variety of formats for editorial, dailies, or master footage.
Reference images and profiles make it easy to pre-visualize future results and achieve accurate color grading thanks to the many tools available:
* Exposure tools (Digital Spot Meter)
* Printing lights, gamma (contrast), and density
* Video Levels, hue, and saturation
* YRGB gain, gamma and pedestal* Generate masks using Power Windows(TM)
* Customized profiles (for film stocks, processing, RGB curves, filters, etc.)
Presents all color and tonal corrections in terms understood by both cinematographers DITs and colorists: printing lights, IRE units, millivolts, f-stop differences, etc., while unifying them all using the simple G&D Thorough Control System.
Choosing the Right Version:
CHARTS CAMERA CALIBRATION DAILIES CALIBRATION 24/7 TECH SUPPORT SETTING UP COMMUNICATIONS W/ PRODUCTION / TELECINE / DI 3CP USER TRAINING ASC_CDL RED_MX & EPIC_SUPPORT 3D LUTs COLOR FINESSE_CDL APPLE COLOR_CDL DATA MANAGEMENT UTILITIES TANGENT WAVE SUPPORT CALIBRATION LEADER LUTHER CINETAL PANAVISION_GDP OPERATIONAL PASSWORD
Rodrigo Prieto, ASC, AMC
using 3cP on the set of the film "State of Play"
(Universal Pictures)
Tim Sutherland - DIT-600 "3cP has become an integral part of my
on-set workflow..."
- DP Ousama Rawi, CSC BSC used 3cP on "The Tudors I-IV" Showtime Productions
Michal Dabal – DP / Student at AFI
"I used 3cP... it worked beautifully. It's a perfectly intuitive system."
Philip Kluscartis – DP / Student at UCLA"...it also helped save money in post by having the accurate look information I created on set...”
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